| ARTHUR TUBBS (Campbell’s Stage Manager) Strong character part, one song performed with
hand puppet (Baritone) |
| STANLEY HARRIS (Reporter) Juvenile character, who links the show, and finally acts as Narrator
(Non-Singing) |
| GEORGE LEYBOURNE (The Great Music Hall Star) Flamboyant character role (Baritone) |
| HARRY NICHOLS (Campbell’s First Partner) Character comedian, who is able to act well; on
stage everyones funnyman, off-stage unpleasant, jealous and vindictive. (Baritone) |
| HERBERT CAMPBELL (The Great Star) Required to play broad comedy, pathos and high drama,
a demanding role. (Baritone) |
| NELLIE POWER Waife-like, enchanting. (Soprano) |
| WILDE Small part. (Non-Singing) |
| MRS LENO Character comedienne, must be able to move well or dance. (Mezzo) |
| MR LENO Irish character role, dancer. (Baritone) |
| JACK LENO Small juvenile role, dancer. (Baritone) |
| DAN LENO This part requires strong acting, comedy and an ability to dance a Clog Routine, a
demanding star role. (Light Baritone) |
| JOHNNY DANVERS East End character juvenile |
| LYDIA REYNOLDS Leno’s wife. (Sobrette/Soprano) |
| AUGUSTUS HARRIS (Manager of Drury Lane) Small character role. |
| HARRIET VERNON Small leading lady type role. (Non-Singing) |
| MARIE LLOYD (Queen of th Ha;;s) Character voice, and the ability to sell the famous Marie
Lloyd songs. Good acting scenes. |
| ROSE (Marie’s maid) Small character role. (Non-Singing) |
| A WOMAN Small comedy speaking role. |
| THE SINGER Operatic voice required to sing main numbers of show. |
| ARTHUR COLLINS (2nd Manager of Drury Lane) One scene, character role. |
| THE PRINCIPAL BOY Traditional. (Mezzo) |
| THE PRINCIPAL GIRL Traditional. (Soprano) |
